the poetrysheet

whimsy, subversion, bowling

Number 456, Jan. 26, 2004

George Herbert (1593-1633)

 


“It’s horrible. I’ve heard them bleat

Before you cut the throat, and I’ve seen

The fear in their dumb eyes. What it must by like,

I wonder, to die.”

—Cain to Abel in “Cain” from The Next Room of the Dream by Howard Nemerov


 

A night at Simple’s

 

One night, it was right before Billy was going to start at the community college, Jean was sick. Had stomach something from eating crabs a guy brought into the gas station. The guy had just been out to the coast and had all this boiled crab in a cooler in his trunk. Jean gets to remembering France when he was a kid and stuffs himself with it, right out of the cooler. He’s sick, like immediately, and has to go home and lay around puking and what not. I didn’t see him again until after Billy was dead.

 

I got nothing to do after work, so I walk up to the diner and slide into a booth, get some coffee. I’m just watching people. Same people I always see in there. Mr. Reynolds who owned the barbershop before the Supercuts put him out of business always sits at the counter and gives Bonnie hell. Reverend Smith from the Presbyterians comes in to read the paper and eat a pork chop. A couple of mechanics from the garage amble in after they close the shop. People like that. People who I always knew and only remember when I tell a story.

 

I’m about ready to go, thinking of walking up to the library before it closes, and in slides Maria. She asks about Billy and wonders where Jean is. I give her the lowdown. It’s a big deal Jean got sick, from a stranger’s crabs, of all things. We talk a while. She tells me what she’s reading, some novel about a guy who flies airplanes in the First World War. I tell her about this mystery story I’m reading by Agatha Christie, the one on the train.

 

Well, it starts getting late and I ask her if she wants to go down to Simple’s and drink a few beers. It was a nice night, cool, no wind. Simple’s isn’t crowded. It’s pretty thin, as a matter of fact. Harold Williams is playing bad music on the jukebox and some teachers up at the high school are playing pool. There’s a couple of bikers in there. That’s it.

 

We take a table and order a pitcher. Then another. Pretty soon, we’re both pretty looped, whining about being in the next morning to work. I hadn’t been late or sick all summer, and I’m thinking I’ll call old Dolan at the nursery in the morning and be sick. She says maybe that’s a good idea. Pretty soon, we both got our minds made up. We’re sitting there, drinking beer, talking about stuff. Williams shifts from crappy music to Patsy Cline and it’s suddenly the most important thing in the world, getting my ear pierced.

 

We’re all sloppy. We start dancing to Patsy Cline songs. People in the bar are looking at us. But it’s all real friendly. I don’t even have her close enough to feel her tits against me. Drunk as I am, I’m thinking of it. But this is Maria, and I think, she sells insurance, maybe even she’s got a career. I’m just a dirt monkey over at Dolan’s. Besides, Billy’s got a thing for her, though he doesn’t show it much. She probably doesn’t even know.

 

When I bring it up to her—earring, I mean—I tell her it’s something I been thinking abut a while, she says she knows where I can get it done and get a pair of earrings, all for about fifteen bucks. I figure I’m never taking it out, so two earrings is enough for a lifetime.

 

About the time Simple’s closes, we arrange to meet for breakfast at the diner after we call in sick. I wake up with a headache and wondering how, exactly, I made it home because I can’t really remember much. But I remember to meet Maria. That wasn’t something I was going to forget.

 

I get there and she’s already got coffee. I don’t eat much, just an English muffin, and we go over to Lorene’s Salon over on 14th Street. I’m pretty spooked about it, getting an earring’ll change the way the guys at the nursery look at me. But I’m ready to go through with it.

 

“Which side would you like your earring on?” Lorene asks. I tell her I don’t know what’s right, left or right, and it doesn’t matter much anyway. Most everyone knows I like girls, so who cares. Maria just standing there smiling.

 

“Well, you’re standing there, just put it in that side,” I tell her. So she puts this little gun up to my right ear.

 

They say it feels like a bee sting, but I say it hurts like hell, like putting that ear lobe on an anvil and hitting it with a hammer. After I get done squirming around, Maria holds up a mirror and I see it’s in.

 

We spend the rest of the day laying around in the park in the sun, reading books and getting over our hangovers. After a while, we go over to the pool and spend more time reading there. I can’t help but looking over my book at Maria in her swimsuit. Man, I think, she’s good looking.

 

After I go home and take a nap, I go back up to the diner to have some coffee and an ice cream. Maria comes in pretty soon, sunburned except around her eyes. She kisses me on the cheek just as Billy comes in the door.

 

“Goddammit,” he says, coming up to the table. “I knew you were going to do this to me, you bastard. I knew it.”

 

I try to tell him it’s not like it looks. But he sees my ear, and I got an earring, same kind as Maria. “Fuck. Goddammit. You even went and got a damn earring to sorta cement the whole thing. You make me so fuckin’ sick.”

 

And he slaps me as I’m sitting in the booth. Just backhands shit outta me. Maria, she’s shocked, she doesn’t know what to say.

 

And fucking Billy gets into his Chevelle, a car he loves, and backs out onto Highway 7 right in front of a semi.

 

I can’t do anything but watch with my mouth open. The truck never even brakes. Billy’s car rolls right up under the wheels of the tractor. And then there’s just fire, it seems like. Cops come. Firetrucks.

 

Maria left with the smoke still rising. I didn’t stick around after dark. But when they finally got him out of the car, they tell me, he was just cinders. Ashes. Livy Jackson, the trooper, says he was dead before the car took fire, which is something I can’t understand because it was like the car was on fire as soon as the truck hit it.

 

I used to see Maria sometimes. But it was like she was nice but far away. Jean moved to Chicago to go to school. I quit the nursery before the fall layoff and drifted around. Sometimes I get jobs, regular jobs I keep for a while.

 

I ain’t been back to Harlin since the accident. I just go where I want, Greyhound mostly. I keep the earring, and sometimes guys think I’m gay when I’m not. But it doesn’t bug me. I read a lot. That’s the way it goes.

 

I keep thinking I’ll go to see Jean in Chicago. But as soon as the idea gets ripe, I remember we won’t really have much to talk about. Except Billy Jenkins. And that’s no reason for me to go that far.


Today’s poems:

 

Ode to Lars Iceberg, Man of the Sea

(a song for cakes and ale to the tune of Marty Robbins’ “El Paso”)

By Bridgeport Smitherington

 

First verse:

Lars Iceberg sails westward

on ol’ S.S. Gluten,

fists on his hips

he stands watch on the bow.

That Lars is a man

known for rootin’ and tootin’

Wheatstretch and hooch are his famous

cash cows.

 

Refrain:

Say, Lars Iceberg,

your future looks bright.

Oh, Lars Iceberg,

sail into the night.

With grain in your mane

and a gleam in your eye,

you’re just the lad

who can sail to the sky.

 

Second verse:

When Lars was a boy

he was hermaphroditic.

Onions and eggies

both of them

had he.

He grew into manhood

with help from a surgeon.

A life on the ocean

made him squeal with glee.

 

Refrain

 

Third verse:

Now Lars he plays paintball

on deck of ol’ Gluten

happy to splatter

his reds and his greens.

Lars, he does grow wistful

and, lo, reminiscent

when he peeks down there

at what’s not in his jeans.

 

Refrain (with flourish)

 


send short poems, short thoughts, fictions, or nonfictions to the poetrysheet, where whimsy, subversion, and running around with eye patches, dangly earrings, and knives in our teeth are our highest values


submit/whimsy/subversion/bowling/archive

Poetry News!/contact/subscribe

 

all material copyright poetrysheet and personally recommended press, unless otherwise arranged with the authors. for information, contact rev. patrick dobson, 1132 e. 65th st., kansas city, mo, 64131, 816-333-7303.